米歇尔·福柯（Michel Foucault，1926—1984），法国哲学家。他以其无比渊博的学识、才华横溢的文笔、惊世骇俗的思想，深刻影响了后现代主义、权力分析与社会理论、新文化史、刑罚史、身体史、性史、女性主义与酷儿理论，以及文学与艺术批评等各种时代思潮。其主要作品有：《古典时代疯狂史》《词与物》《规训与惩罚》《性经验史》（四卷）“法兰西学院演讲系列”等。

世界中の人々を虜にするイラストレーター、長場雄の軌跡。 2014年から現在までの作品、約800点をまとめたアーカイブ。 2014年に、雑誌『POPEYE』(マガジンハウス)の表紙に抜擢され、稀有の才能を見出された長場雄。 シンプルな描線が生み出す親密性の高いイラストが人々の心に寄り添う作品群。 マガジンハウス、BEAMS、東京メトロ、などクライアントワークも収録。

A comprehensive account of the rise and fall of the mortgage-securitization industry, which explains the complex roots of the 2008 financial crisis. More than a decade after the 2008 financial crisis plunged the world economy into recession, we still lack an adequate explanation for why it happened. Existing accounts identify a number of culprits—financial instruments, traders,...(展开全部)

A comprehensive account of the rise and fall of the mortgage-securitization industry, which explains the complex roots of the 2008 financial crisis. More than a decade after the 2008 financial crisis plunged the world economy into recession, we still lack an adequate explanation for why it happened. Existing accounts identify a number of culprits—financial instruments, traders,...(展开全部)

Raymond Carver's spare dramas of loneliness, despair, and troubled relationships breathed new life into the American short story of the 1970s and '80s. In collections such as Will You Please Be Quiet, Please? and What We Talk About When We Talk About Love, Carver wrote with unflinching exactness about men and women enduring lives on the knife-edge of poverty and other deprivati...(展开全部)

Raymond Carver's spare dramas of loneliness, despair, and troubled relationships breathed new life into the American short story of the 1970s and '80s. In collections such as Will You Please Be Quiet, Please? and What We Talk About When We Talk About Love, Carver wrote with unflinching exactness about men and women enduring lives on the knife-edge of poverty and other deprivati...(展开全部)

This collection of Raymond Carver's interviews reveals him to have been perhaps the premier short-story writer of his generation, a lyric-narrative poet of singular resonance, and a staunch proponent of realistic fiction in the wake of postmodern formalism. The twenty-five conversations gathered here, several available in English for the first time, include craft interview...(展开全部)

【编者简介】 马歇尔·布鲁斯·金特里（Marshall Bruce Gentry），美国乔治亚学院与州立大学英语教授，弗兰纳里·奥康纳研究者，著有关于奥康纳的专著，以及关于雷蒙德·卡佛、E. L. 多克托罗和菲利普·罗斯的文章。 威廉·L. 斯塔尔（William L. Stull），美国哈特福德大学英语荣誉教授（已退休），现仍在从事卡佛奖学金方面的工作。 【译者简介】 小二，本名汤伟，上海作家协会会员。毕业于清华大学，获美国弗吉尼亚理工大学博士学位。业余从事文学翻译，译有《当我们谈论爱情时我们在谈论什么》《雷蒙德·卡佛短篇小说自选集》《故事的终结》《石泉城》《面包匠的狂欢节》等。

《都是管家惹的祸（1级.适合初1.初2）/ 书虫·牛津英汉双语读物》为“书虫？牛津英汉双语读物”系列1级读物，适合初一、初二年级的读者阅读。世事难预料，乌龙免不了。这六个短剧中的人物也不例外。管家詹姆斯对“先生”的吩咐总是执行得一丝不苟。他是个好管家。可是有一天，“先生”吩咐詹姆斯做了一件很不寻常的事，詹姆斯有没有遵命照办呢？大多数办事员对上司也是唯命是从。他们总是说：“得照章办事。”这可害苦了来给宠物猴子办许可证的老兄。罗杰的心病是自己没钱，他富有的女朋友却为他迟迟不来求婚而烦恼。事情似乎很简单，不过这是在戏里，问题可要复杂得多。 whiteheadbird

When Raymond Carver died at age fifty, readers lost a distinctive voice in its prime. Carver was, the Times of London said, "the Chekhov of middle America." His influence on a generation of writers and on the short story itself has been widely noted. Not so generally known are how Carver became a writer, how he suffered to achieve his art, and how his troubled and remarkable ...(展开全部)